Merged into Nature by Laurentina Miksiene

The day when all days felt like Sundays, we felt emptiness. All the connections with the world we lost in just in one day. At first we enjoyed the ‘’freedom’’… Finally, we had time for our families, we had time for a cup of coffee in the morning, we had time to talk or watch movies together, we had time for kids… 1 2 3 4 5 6 7 8 9 10…. first you’re counting the days after the 20th day, it just doesn’t matter what day it is, what time it is. You don’t need to go sleep early because you don’t need to wake up early, to shower and rush somewhere…

Nature started to heal herself but how about humans. Sometimes I feel I’ve lost myself and I believe we all have a feeling that we have lost something we can not touch but can feel. All the connections with nature with other humans.

Only nature helped man endure the misfortunes of life and became support in daily life. The connection between man and nature can be found in literature, poetry, artworks, and photography. In my work, I sought the connection between man and nature. I was looking for a compromise between man and nature. That compromise is more uncomfortable than perfect. Through nature, we can see not only ourselves but also a reflection of our soul. Without this connection with nature, man mutates not only physically, psychologically, but also spiritually. In my series of photographs, I was looking for a spiritual connection between man and nature. A man comes from the earth and returns to it. The earth is the basic premise of our existence and its end. This vibrant, pulsating matter is open to both birth and death. A place where a clump can turn into life at any time, and life into a clump. Man is only a temporary particle of the earth cycle.

The photographs I printed on silk fabric to make them more flexible and weightless. I wanted to see the movement of fabric and structure of silk threads. The photographs look as though they are merged into the fabric like we are trying to merge into nature. It is like the fugitive testimony about man’s and nature’s compromise.



To view a short film by Laurentina, please click on the image below:



A project by Laurentina Miksiene

Modern society is surrounded by photographic images. The proliferation and ease of use of photography has made it an integral part of life, as a participant in society. Collection of photographic images in physical albums or on digital media – allowed people to archive their past. It has become a great human proof of past history that he can visually share with people close to him. Photography captures the visual reality and documents it – to capture what is real (visible). But what is that reality? What is her relationship to reality? How much truth lies in the image? The photographer must be responsible for presenting the situation in a fair and honest way, he can’t do manipulation of the technical image, but also can’t manipulate the emotional impact.

My portraits are not about how the object looks, rather it’s about how I feel he looks. I transfer onto the object my beliefs and vision but not my emotion. In art photography, some photographs are more suggestive and remain in the human memory, while others simply pass away, as in journalistic photography, some photographs simply represent an event and some convey emotion, mood, light. Photography has a dual function: it depicts the human exterior and describes his identity. To photograph my grandparents, I kept the vision for two years and only last summer I went to my country (Lithuania) and was able to do this.

Towards the end of the 20th century, Lithuanian photography experienced very important changes: some of the photography created at that time did not continue with previous Lithuanian photography traditions and generally did not match the usual criteria of photographic artistry. My favourite Lithuanian photographers are Antanas Sutkus and Vitas Luckus. Every time I  look at their photography I feel very emotional. I do not only see the photos I feel them. In photos with my grandparents, I was looking for natural emotion and to capture the photos with natural light. I wanted to show their relationship and loyalty, their love and their daily routine. I just had a feeling that I needed to do this for myself. To remember them like this. To remember their eyes, hair, wrinkles, hands, and voices. The photo where they are holding the hands of each other has been selected by Lensculture editors to be featured in the Portrait Awards 2020 Competition Gallery. Some of the photos were featured on Vogue Italia. I kept asking myself why it was so easy and natural to photograph my grandparents and landscape where I lived. And I think I found the answer – it is because of memories! I am connected to this place and these people. Most beautiful memories with grandparents, long conversations before going to sleep. I wanted not only to have digital memories of them I wanted to hear their voices so I recorded my grandmother singing. It is very important to me because we always sang together when I was a child. I still have a feeling that I haven’t finished the project and I plan to go back to Lithuania this year and take more photos. My grandmother will be 88 years old this summer and my grandfather will be 91; it is a solid age for them.

‘’In summary, we can say: The photographic image is a message without a code, it’s continuous. At the same time it is a connotative message, but not at the level of the message itself, but at the level of its production and reception. The photographic image is a sophisticated object selected, structured, built and produced according to professional standards – aesthetic, cultural or ideological.’’(Roland Barthes)

Images by Laurentina Miksiene

Digital Residency 2: Laurentina Miksiene


Digital Residency 2: 01 February – 30 April 2020

My name is Laurentina Miksiene I’m from Lithuania. I started the most amazing journey last year when I came to the Foundation Art & Design course at Swansea College of Art UWTSD.

I love people and I love portraits. I think it’s amazing when you can freeze emotion. I tend to focus on feelings – which is the most important for me and hope important for viewers. For ‘Tabula Rasa’ I was inspired by hidden feelings – those of people who are close to me and many artists. My portraits are not about how the object looks, rather it’s about how I feel he looks.

We have eyes but we chose not to see. We have voices but we chose not to speak. Sometimes pain covers our body like tight fabric. It’s hard to breathe and hard to see. We need to be alone to feel the pain, to heal the soul. We can see darkness in joy and beauty in darkness. This is the line between sadness and joy, between life and end.