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Adaptation | Addasiad

 

Adaptation | Curated by Jason&Becky

Offsite at National Waterfront Museum – Jane Phillips Award 2017

05 August – 29 October 2017

Adaptation: A response to Ephemeral Coast by Swansea College of Art, UWTSD Students. Curated by Jason & Becky.

‘In times of change we adapt. Working in synergy with the landscape and available materials to provide shelter and sustenance. As tides rise and structure is lost to the ocean, temporality becomes an ever-present necessity. The concrete past gives way to the ephemeral present and transient future’. 

The Jane Phillips Award is this year working in response to Ephemeral Coast’s region wide collaborative project with Mission Gallery.  The Curatorial & Exhibition Awards 2017 have been awarded collectively to the students of Swansea College of Art, UWTSD to work alongside the recipients of the Curatorial Award, Jason & Becky and is in partnership with  Mission Gallery, Elysium Gallery, National Waterfront Museum, Swansea College of Art UWTSD & University of Ottawa.

Featuring selected Art & Design Foundation, BA & MA Students across all disciplines, at Swansea College of Art, UWTSD. Curated by Swansea based collaborative artists, Jason & Becky.

Instagram

In a continuation from my post on labels, I will be examining another area of my practice…

Instagram 

Instagram is a social media platform where users share images and short videos with their followers. There are around 500 million active users. It is therefore a perfect place for businesses, artists and influencers to access a global (often millennial) audience. However, with an average of 95 million photos and videos being uploaded every day, the curation of content has never been more important.

How I use Instagram now

Date Started: 18/07/15

Date Now: 08/08/17

Number of days used: 752

Post Regularity : post on average every 3.9 days

Followers: 271

Following: 1,207

 

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Findings: I post on a wide variety of subjects and this does lead to a lack of professionalism and continuity on my feed. I post far more often when I am away from home. Therefore, I need to go to more effort to create beautiful images while at home. I feel that my art/design work is lost amongst other images, of my dog for example. I don’t want to lose the fun in posting so I think a separate more design focussed account is what I need. I will keep my personal account active too.

Inspiration and Ideas

Flat Lays

I would love to experiment with taking some flat lays. I first started thinking about this at the Natural History Museum in Oxford (I discuss this trip more in this post). I was taking images of exhibits in cases from above and finding the combination of objects and drawings very aesthetically pleasing. Furthermore, the camera angle seemed an effective one for taking a clean, shadow free image.  Flat lays are images that are taken from above and are often of beautifully curated objects. They are popular on Instagram among fashion and lifestyle bloggers. Experimenting with this would fuse two of my interests: photography and objects. It would be a great way to photograph the tools I use in my work and my favourite things. Below are some inspirational images.

 

Mood Board

I have always enjoyed collage as an art form and being asked to create a mood board at the start of a project is a dream! I have been looking for some more unusual Instagram layouts and came across the fashion designer Roberi Parra. His feed when looked at as a whole resembles a mood board. It is a well curated collage of images and text. This sort of layout appeals to me in several ways Firstly, because it would ensure that there was a lot of thought put into each post. Despite the mood board effect only being visible when you view his entire page, each post is still beautiful. Secondly, as we begin to digitalise everything, creating a tactile and physical mood board before uploading it to Instagram would ensure I still have a physical connection to my work.

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Time Lapse and Work in Progress

Inspired especially by printmaker Aftyn Shah I thought it would be good to try and include more of my work in progress. This is not something I have considered doing before but it would give my followers more of an insight into my practice. Furthermore, it would mean I could use my feed to look at how work has progressed. Shah is also very good at including objects (such as plants and tools) around her work in images that don’t detract but complemeant. I would like to also take inspiration from this.

A bold colour scheme

One of the best ways to catch a person’s eye and to inject some joy into the world in my opinion is through colour! I am hoping to develop a bold colour scheme for my new design feed perhaps using some turquoise and pink (one of my favourite colour combinations). Art Director Andoni Beristain has an Instagram feed that makes me happy to look at. It is cohesive and professional but also joyful! It is important to inject a bit of personality into any platform that is showing your work.

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That’s all for now. I will post again once I have started to implement some of the above ideas.

BUDA//PEST

It has been a busy few weeks! I have just returned from Budapest and am starting to gather the photos/ephemera/drawings I collected and have made on this trip. I thought I would share some of the most interesting pieces with you here.

Architecture

Budapest has a wealth of beautiful architecture. I took so many pictures of it all! I also did the below blind drawing. I am planning to do some more from the photos I took as I am pleased with how this one came out. Blind drawing has allowed me to enjoy drawing again. It is a loose and fun way of recording what you see. It often leads to an interesting abstraction of your subject. I highly recommend it. I was also able to pick up a couple of postcards to add to my inspiration hoard (which I am creating to take to university with me). The one below is by the illustrator Agnes Bogar.

Souvenirs

I was very pleased with the souvenirs I was able to pick up on this trip. I was looking for something more authentic and truly Hungarian. I found in a bookshop and in a market several old Hungarian passports. Aesthetically they appeal to me in several ways. Firstly, they are full of old stamps, labels and handwritten sections! The vintage photos make them so personal. Finally, this could be the beginning of a new collection for me. I am going to have fun translating them and using them as inspiration for my work.

Mapping 

Mapping was something I planned to do a lot of on holiday. In reality, I had little time for this with all of the touristing we did. I did however, pick up postcards by several Hungarian artists who explore mapping in their work, below is one of my favourites. It is by the artist who goes by the name Urban Sidewalker. It was a struggle to choose which of the beautiful postcards to bring home. I hope the postcards I collected will continue to inspire my work in the future and remind me of my wonderful trip.

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Once I got home I was able to design my own postcard in response to the artwork and architecture I saw. I hope to produce more soon. I find the postcard the perfect size and shape for everything! It has become a motif in my work. There will be a blog post in the future all about postcards.

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Recording my findings 

As you will have previously read on this blog, I am investigating the town of Brecon, a historic town rich with history which I am hoping to uncover and highlight. I also  hope this opportunity will  improve my knowledge on the old market town giving me greater appreciation of the area I grew up in with a new perspective.

If you are interested in following the project develop, I will be using this blog as my main hub to upload all my findings.

In addition to recording my investigation, I am also developing and storing my findings within a personal sketchbook as an alternative recording method. Pages will feature throughout the residency.


Above: Location of Brecon (Sourced from google images)

Initial Ideas

Beauty of Brecon –  Discovering the various factors Brecon has to offer. All information sourced from local information centre. 
Mapping the local area
Mapping my routes around Brecon over a series of days (each colour represents a different day).

2017 | Exhibition & Curatorial Award

5 August – 29 October 2017
@ Colonnade Gallery, National Waterfront Museum
Adaptation: A response to Ephemeral Coast by Swansea College of Art, UWTSD Students. Curated by Jason & Becky.

‘In times of change we adapt. Working in synergy with the landscape and available materials to provide shelter and sustenance. As tides rise and structure is lost to the ocean, temporality becomes an ever-present necessity. The concrete past gives way to the ephemeral present and transient future’. 

The Jane Phillips Award is this year working in response to Ephemeral Coast’s region wide collaborative project with Mission Gallery.  The Curatorial & Exhibition Awards 2017 have been awarded collectively to the students of Swansea College of Art, UWTSD to work alongside the recipients of the Curatorial Award, Jason & Becky and is in partnership with  Mission Gallery, Elysium Gallery, National Waterfront Museum, Swansea College of Art UWTSD & University of Ottawa.

Featuring selected Art & Design Foundation, BA & MA Students across all disciplines, at Swansea College of Art, UWTSD. Curated by Swansea based collaborative artists, Jason & Becky.

Collaboration 

On the 15th July there will be an Open Studios event at Elysium Studios to coincide with the Troublemakers High St Festival that weekend. 

Tegan, Beckie and I have been invited to join Ben (winner of the studio residency) to produce work for his space. We will be displaying our own work as well as certain collaborative projects we have devised. 

We have set ourselves the following collaborative tasks: 

Inspired by a mini project we were given when we travelled to Amsterdam with our foundation course, we will all be taking a photo on disposable/film cameras every day at 3pm. We will then write/draw/document something on a post it note to accompany each image. This will be a fun way to see what we are all up to from now until the exhibition. 

We will be using the final few shots on our cameras to take 4 images that represent the following 4 concepts: 

Line 

Mundane 

Label 

Loss 

We will also be undertaking a challenge on one day to write a list of everything we touch. This will become a study of the objects we come into contact with. The 4 most interesting things will be photographed on our cameras. 

Below is an image of the space where we will be exhibiting. We hope you can all join us ! 

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I am going on holiday!

 

Tomorrow I start my journey to Budapest, Hungary. I am hoping to document this trip for my residency in a variety of ways.

Firstly, I am going to take inspiration from the a book I recently purchased called “From Here to There: A Curious Collection from the Hand Drawn Map Association”. This book is, as the title suggests, a collection of hand drawn maps. I have included some of my favourites below. I hope to produce some hand drawn maps that show various places I visit while on my travels.

 

Secondly , I plan to continue to take inspiration from the work of Giorgia Lupi and Stefanie Posavec and their Dear Data project. Beckie outlined the project in a previous post. I will use inforgraphics to record what I see and experience while I am away. I will take inspiration from some of the categories that Lupi and Posavec used such as clocks, laughter and indecision.

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Also, I am hoping to work on drawing techniques that I have been introduced to this year on my foundation. These include continuous line and blind drawing. Below are some images I have found for inspiration of architectural continuous line drawings.

 

As well as these individual challenges I will be working on several collaborative projects with my fellow recipients of the Jane Phillips Award Ben, Beckie and Tegan. More to follow on this !

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Jane Phillips Residency – An Introduction to my Investigation and Initial Thoughts

 Hello, my name is Tegan James.

I am extremely grateful to have the opportunity to work in an online creative environment where I can learn, communicate and network with fellow artists. The experience described by current residents sounds engaging and diverse, something I am excited to experience first-hand and become a part of. I hope this opportunity will allow me to develop my artistic skills and I am eager to begin my investigation which I hope will benefit my artistic learning as well as continue to contribute to my local and artistic community. I am keen to record my findings online as it will allow the opportunity to develop my work through an alternative therefore, accessing a wider audience. I am also interested to see the results found from the relationship of social media and my investigation and how these technologies alter and enhance any findings.

As an aspiring Production Designer I have a passion for creating experiences for viewers as well as working with alternative and unique concepts. I use themes for my work as a base and often create alterative interpretations. My passion is creating statements and for my work to have multipurpose, engaging to the eye but with a political, social or historic underlying tone. My work is used to educate my viewers about a certain message as well as myself.

 Moving to a new environment whilst studying my foundation with ‘UWTSD’ has been beneficial and encouraging on both an educational and personal level. Thus, meaning I believe I have grown as an artist and a young adult and am hugely appreciative to have been awarded this residency enabling me to continue widening and building upon that experience. Relocating to Swansea to study for the previous academic year was stimulating as I was able to discover a wonderful city and artistic community. What the foundation has allowed me to appreciate is how to ‘open my eyes’ to everything from the smallest to the largest aspects of the environment. My concept of art has developed and matured as I have been able to approach tasks using all my senses and appreciate art is no longer confined within preconceived ideologies. I have gained the confidence to make errors but to see these as positives and learn from these and even incorporate them to improve my work. I have found there are no mistakes, these obstacles just further my awareness. Since returning to my home, within the Brecon Beacons, this experience has provided me with an altered appreciation of what I grew up amongst but did not recognise fully. I now better appreciate the diversity, community and strong opportunity for artistic and historic awareness and development.

  ‘Light on Brecon’ – Capturing the community!


When researching initial ideas for this residency I became aware of a local project advertised through ‘F.Y.I Brecon’, which stated that the local community are running a project to encourage Breconians to engage with town activities and record these events through various mediums. “The concept of Light on Brecon is to have local people and volunteers take a range of pictures and art work of Brecon town throughout the year up to April 2018,… to show off Brecon at its best and show the great buildings, people, businesses, and events that this town has” (Sourced from advertisement flyer).


As explained above I have become more appreciative of my surroundings and this project I believe will provide an opportunity for me to discover more about my town using an artistic approach.

I will be loosely following these three themes to capture the spirit of Brecon whilst also educating myself and hopefully any viewers in local history and the area.  

          Aims for my Investigation:

To investigate into the town history and community through research and local resources (e.g. museums, library and people) in order to extend my knowledge and to seek inspiration through my findings.

To experience the town through the eyes of another citizen – what does Brecon mean to others? – ‘A Day in the life? … Social Art.

Learn how the town could improve and develop.

Showcase what the area has to offer.

Capture Reality – Heavily influenced by old photos of pastimes (By attempting to experience and get involved with all town events).

Encourage all demographics to engage with my project and create artworks incorporating Breconians – capturing reality and encouraging art participation within the town.

Work with various mediums, especially photography and social media (as an educating tool, advertisement which can reach wider demographic).

Create work which has the potential to encourage tourism.

Incorporate local community groups and artists.

Begin by experimenting with various ideas in order to help develop my works purpose. 

I hope this opportunity pursuing further creativity, through this digital experience, will allow me further opportunity to use the skills I will discover to enhance my independent learning which I will be able to incorporate in my next educational venture. 

 

Labels

Before I begin to work on anything new, I want to examine my practice. The tools I regularly use give an insight into this. Today I am looking at….

LABELS.

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I like to begin with looking at the definitions of words at the beginning of a project.

Screen Shot 2017-06-20 at 19.55.10When looking at the word “label” I found the synonyms most interesting: 

STAMP

TICKET

MARKER

TAB

STICKER

All of these objects are ephemera. They are only meant to be used for/are only useful for short amount of time. Stamps/tickets/labels etc. can be both very mundane in design and can be beautifully crafted. Perhaps the latter is in order for print based objects to compete with the digital sphere. This is where my interest lies.

I collect ephemera. Tickets from journeys I have been on and experience I have had, stamps from all over the world, leaflets and catalogues with a design aesthetic I like and postcards etc. Often the ephemera I keep has a sentimental value. This has made me wonder …Does the fact we can touch it mean it has a greater affect on us ? Taking boarding cards for planes as an example. I would definitely keep the official traditional card tickets and probably keep the flimsy paper version you print at home. But would I save and store the digital variety that are becoming ever more popular? What will the effect be on our society as we begin to digitalise everything? Will we lead less cluttered and more environmentally friendly lives ? Or will we create an unsentimental generation who are only capable of communicating in the digital sphere? (Funny writing that on a blog) Something to think about…

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Anyway, back to my love affair with the label…

The label is so important that I included my label maker  (a very exciting recent purchase) on a list of 40 things that inspire me most. My ephemeral exhibition project looked at collecting and organisation. From the beginning of the project I was looking at how people arrange their collections and in order to make links between the 40/40 (objects that inspire my work) I designed a label asking certain questions of the pieces. Once all the objects had been labelled I was able to create infographics to determine certain questions I had about my collection.

 

The labels I added brought my sketchbook work from the 2D into the 3D and introduced an element of interactivity. The idea of synthesising the dimmensions became an important element in the final outcome. As this year has progressed, I have realised despite having graphic elements to my work I do not want to reject the 3D for traditional 2D graphic design. The label has become a symbol of where my practice currently lies.

On a recent trip to the Oxford Museum of Natural History and the Pitt Rivers Museum the curation drew my attention more than the pieces themselves. The various handwritten labels used to document pieces enhanced the work. They connected the viewer with the curators and the collector. The labels dated from 1880 to 1980 and were each unique and seem to be purpose made for the pieces. I bought a postcard showing the variety of labels and documented several of them in my sketchbook.

 

After this, I began to think about how artists and galleries label works in an unobtrusive manner. Perhaps it is time we ventured from the the black and white printed cards. I found the way that this was done at the UWTSD Artist in Residence Exhibition especially interesting. C190E583-B786-4A6F-8915-457CBE920D85

The label, the old fashioned hashtag, connects objects/images/art work and relays vital information. A label is a design challenge. It must deliver information clearly but also be aesthetically pleasing and not detract from what it is labelling.

Some ideas for the future…

  • challenge myself to redesign the mundane ephemera
  • look at how the “non-art” parts of an exhibition are curated
  • Leave a label trail around places I visit
  • Collect some beautiful ephemera and create an Instagram feed to appreciate it
  • Design and make labels for next year’s work
  • Research how touch affects feeling of sentimentality and nostalgia