Ibuprofen Pop

I have been collecting all the things surrounding my condition. The other day I absent mindedly stacked my Ibuprofen boxes together and really liked the aesthetic of the pattern and colour because it was so charateristic of Pop Art. So I decided to do a little further investigation and experimentation with them. I started by using the scanner laying them out to create a repeated pattern. I then took this further and started to manipulate the shape and form of the packaging in many different ways.

I’m not sure yet if I am going to do any further processing with the boxes but I enjoyed developing a simple idea into a future possibility. Next I am going to start exploring all the different types of blister packaging.


The Super Ordinary And Some Rust

Firstly I would like to say thank you to Mission Gallery and the Jane Phillips Award for giving me the opportunity for this digital residency. I am an emerging artist and I am honoured to be here to share my work.

At this point in time I am just coming to the end of one body of work and I’m about to start focusing on something new, so this residency couldn’t come at a better time! I am going to be trying out lots of different techniques and ideas over the next few weeks and posting them here.

My most recent work has been to answer the question ‘What is Super Ordinary?’ Using this quote as a starting point- “How should we take account of, question and describe what happens everyday and recurs everyday; the banal, the quotidian, the obvious, the common, the ordinary, the infra-ordinary, the background noise, the habitual?” Georges Perec, 1973

I came to a natural stopping point in my project when I exhibited some of my work in the Graduate Expressions Exhibition at the Oriel Henry Thomas Gallery at Carmarthen School of Art.

With Every Fibre Of My Being (2022)

Stainless Steel Sink, Stainless Steel Wire Wool, Ink, Acetate

Saskia Fletcher

But when does an artist truly finish a project? The answer is never! Each time I come to the end of a project it becomes part of me, and it’s always ticking away in the background, influencing my new work in some way or another. For me there is always more ideas floating around on the periphery, something to add, something else I want to say or simply something that I just never got around to doing.

So with that in mind this is one of those things… early on in the project I had saved some metal kitchen shelving but hadn’t actually used them for anything. Last week when I was sorting out my garden I found them rusting away in the corner. So I thought I would try out a rust transfer technique I had seen on LuAnn Kessi’s blog. It is a process I have been meaning to do for a long time. You can find the post by LuAnn here: luannkessi.blogspot.com

I used her recipe to create some rust prints on some scrap fabric.

Here are the photos of the process and the results:

I enjoyed this process and I am pleasantly surprised at the amount of detail that has been created on the fabric. I like the different tones and the patchy quality of the outcome. Not all of the details have been picked up, and to me, the imperfection is what makes it all the more interesting. The two prints I made took time (4 days worth of patience!) to create and of course sunshine (which can sometimes be hard to come by in West Wales!) What I like most is that I have collected and captured a moment in the objects history- which is a one off and can never be replicated much like a mono printing – my favourite process.

My Super Ordinary project has turned out to be much more than just creating art. It has also created a new way of thinking for me. Now that I have come to an end of this body of work I know that this project is going to stay with me. I would like to thank Olivia Clemence for setting me the task of defining the Super Ordinary (it was daunting at first!) but it has changed the way I see the world. I will be keeping in mind the Perec quote above as I move forward into a new subject area… I will continue to question everything.

You can find more of my work on my Instagram page @saskias.studio

Intentional Camera Movement

It’s a great privilage to be one of the digital residency recipients for the Jane Phillips Award.

During these 3 months I will try new techniques in photography and explore Swansea . My first project will explore a technique called ICM – a technique and an artistic way of expression. Something I have enjoyed exploring recently .

The Mystery of an image. It forces my imagination to work.

A painting with a natural light and I love this.

I am inspired by Claud Monet, french painter .

I have focused on textures and colours seen within the landscape, creating one of a kind impressions of a forest in a longer exposed time frame.

Time is key here, as time is the only thing that is constant. You can’t stretch or squeeze it, only the perspective can change. So this is my perspective of a time, represented in a ICM photography style.